How
it all began
I
remember about a decade ago I had chanced upon Orkut, which now seems
Facebook’s pre-historic ancestor. I started basking in the azure
Orkut skies with considerable glee because it was a chance to
reconnect with friends I had lost to their IT jobs and their
consequent dread of sending emails after doing it at work all day,
even if to a long lost friend. A few days into the e-socialising I
was warned by well wishers against putting up my photographs online.
They had chosen to replace their own display pictures with white
cherubs, celebs and tulips. Their unsolicited, solicitous advice came
from what they had heard about the misuse of data and pictures
online, especially when it came to women. Their was talk of morphed
pictures, theft and blackmail in the cyberspace.
What
they feared was not baseless but I still chose to live my life,
online and otherwise, on my terms, rather than let unknown villainous
forces determine my choices. I took the stand to fight those who
stole and misused others’ data. It was the same as believing in
asserting my claim over the physical public space and going out
prepared to confront those who challenged this right of mine, instead
of giving in to them and shrinking my world to my home.
I
got a chance to put theory into practice soon enough when, not
through Orkut but through Yahoo messenger, an anonymous blackmailer
sent me messages threatening to tell my family I was dating someone.
I was young and taken aback for a moment but was immediately seeing
red hot rage in the presumptuous texts. I was outraged to think that
a stranger could make so bold as to believe that he would have so
much power over me because as a woman I was flouting a societal norm
by dating. I had no intention of handing over my self-respect to him.
I refused him what he was looking for – attention – and did not
respond to the message. If my family received some malicious letter
some day from a stranger, they certainly did not apprise me of it.
“What
would happen if one woman told the truth about her life/The world
would split open”
Cut
to the present day, many years later, and I find that the above lines
from Muriel Rukeyser’s poem resonate with our reality. Looking at
the #metoo movement in India, we would find many women outing their
sexual abusers online, through Twitter but also through Facebook and
Instagram. It is also a slap in the face of that annoying expression
about women being women’s enemies. Women at the front of the
movement have formed a protective wall around those who could bring
themselves to share their horror stories only because they were
promised anonymity in the online public space. This has been one of
the most heartening examples of the women’s solidarity network that
always existed but was not adequately acknowledged in the misogynist
discourse. Women are trying to ensure that survivors, many having to
relive their trauma in the retelling, get what they need: therapy,
legal help, a patient ear. This one hashtag on social media has
brought women together across the globe.
It
is not that social media has ceased to be the abusive arena it has
been for women, same as any other public space in which women first
make their foray. Sudipti, who writes regularly for Hindi
publications online and in print, and is a schoolteacher, says, “As
a woman as long as you are writing on gender and other social issues,
you may still be fine. Expand further into religion and politics and
be prepared to witness the backlash. After writing continuously on
these issues, I got exhausted handling the constant whataboutery and
prejudice, and stopped.”
But
digital footprints are easier to track than physical ones and women
have also given back as good as they got by taking action against
abuse through solid proofs like emails and screenshots, which the
social media makes easier to save and reproduce. Having practised
theatre in Paris, Delhi and Dharamshala, Niranjani Iyer was one of
those who make their Facebook profiles due to exhortations by friends
and then their digital presence gets relegated to the background. In
the context of women speaking out online, she exclaims: “I never
thought I would say this but I am so glad that social media exists. I
would still say Twitter can be noisy but with Instagaram you can
reach so many.” Theatre needs its practitioners to take on
different roles and personas, and those in power take advantage of
these grey areas to abuse their colleagues. “This movement has not
exploded in theatre yet. But it has made people rethink power
equations. The kind of things people in power have got away with . .
. the impunity . . . I don’t think it’s possible now. The
potential for women to come out with their stories is huge.” She
talks of the notion of shame imposed on women, which led to guilt in
women about what had been done to them. “Now women are speaking up
and saying, ‘You did this’.”
In
journalism, theatre, writing, music, films, different kinds of art
spaces, in some ways it can become easier to gaslight victims because
the abusers often have politically correct, progressive, masks. The
wordplay they employ to defend themselves can also be that much more
brazen and preposterous. Take the case of accused poet CP Surendran
trying to defend himself in his statement (Firstpost, 16
October 2018): “I believe sexism is an intellectual and physical
reality . . . I choose not to think in given categories.”
Social
media has enabled abusers as well, by giving men an easy space for
their sanctimonious declamations that contradict their acts of
violations, so that victims in the beginning end up questioning
themselves and potential supporters of survivors are full of doubts.
On the basis of an image formation that they achieve on this fluid
medium, announcing book deals and getting themselves photographed
with well known faces seen in the mainstream media, their stream of
“friends” and “followers” who believe in that image also
grows.
When
such a personality, a well known poet, was called out on Facebook by
another poet, the survivor was met with both support and disbelief.
Poet and scholar Semeen Ali was one of those to come out in the
survivor’s support and, with other poets, sent a letter to Sahitya
Akademi. The letter demanded that the accused step down from the
editorship of a prestigious anthology in the making, which many of
the signatory poets had been selected to be part of.
Semeen
recalls the series of events to have unfolded after that: “There
were people who signed the letter and backed out. They did not want
to ruin their equation with him [the accused]. The Indian poetry
scene is really small and many do not speak up as they are afraid
they won’t be published in anthologies.” Of these, many were
later invited to readings organised by the accused, while some places
that used to earlier invite Semeen’s poetry distanced themselves
from her. Semeen is also a book reviewer and, after this incident,
refused to review books written by the accused, knowing that possible
consequences could include her being “blacklisted” as a reviewer
as well by some renowned publications. “And that’s ok”, she
says, “I could not keep silent knowing what had happened, also
considering my personal experience and those of other poets as well
when it came to the behaviour of the accused on several occasions.”
The
loss of conditional friendships and spaces for career advancement
have not deterred other women. Like Niranjani, who started her own
theatre company and did physical theatre in India at a time of
dialogue based plays, believes, “What are spaces, after all? Spaces
can be created.” In cases where an accused has been first named on
social media, many other women have come out with their stories of
him. Others came out to support the survivor and her case. There have
also been women who started putting out their stories anonymously,
sharing their identity details only to one or more of the women who
were ready to listen and to share these stories further with
permission. Some of these anonymous tellers later revealed their
identities, which gave their narratives even greater credibility but
also added to their vulnerability.
Their
life on social media was scrutinised by naysayers. Women with a “low”
follower count online were accused of sharing their stories of abuse
to gain more followers; they were asked again and again to repeat
lurid details of the harassment, blamed for “harming” the
reputation and career of the men who had ruined the women’s
reputation and career, and left them with enduring trauma. Actor
Tanushree Datta’s account of harassment by co-actor Nana Patekar
when she refused to enact certain scenes for a film was mocked by
trolls who circulated video clips showing her kissing on screen in
other films.
It
was the usual scene of trolling and abuse that women face when they
speak up. Only this time they were not alone. They were standing up
for each other; they were educating, agitating, organising, through
letters demanding investigations to organisations the accused were a
part of, to the police, the court and the National Commission for
Women. The Network for Women in Media in India kept taking regular
cognisance of these accounts and pushed for action, along with
providing support to survivors.
An
online movement? Really?
Online
movements were scoffed at in the beginning as the best one could
expect of lazy millennials. However, with time it became clear that
not all online campaigns lack teeth. From protests in Iran and Egypt
to #Black Lives Matter and Occupy Wall Street, all over the world
people have successfully used social media to amplify their causes.
Concerns
have been expressed about whether the Indian #metoo movement with a
large online base can be truly inclusive, whether it can reach those
much lower in the rung when it comes to caste, class and patriarchal
oppression, many of whom have no access to digital spaces. It would
be naive to believe that the number of social media users in India
represent the whole country, or a balanced gender ratio among its
users. Think tank LIRNEAsia’s study, reported by Karishma Mehrotra
for The Indian Express
on 8 August 2018, showed that 80 percent of Indian men are mobile
users, and only 43 percent women have cellphones. The gender gap in
users is higher in rural areas, 52 percent, and was recorded as 34
percent in urban India. 64 percent, of which 68 percent were women,
did not know about the Internet. 27 percent of those who did know
mostly used it for social media.
But
there is clearly potential for more in a scenario where a person in a
village recharge their phone with Rs 10 to watch an entire movie.
India has the highest annual growth rate of Internet users. If
mobiles and the world wide web did not offer spaces of expansion to
women, khap panchayats and town councils would not have advised women
against those things.
Rural
women reporters of Khabar Lahariya
joined the #metoo women to talk of the daily harassment done by their
male counterparts, and shared how men had stopped sending them porn
in the wake of the movement. Garment workers, bus conductors and
street vendors in Karnataka met publicly and spoke about the
harassment they are forced to face at their workplaces every day if
they want to hold on to their jobs. These examples are not enough.
But
it is also important to remember that women from non-urban spaces
have not spoken up for the first time. In fact it was Bhanwari Devi,
a rural, Dalit woman, whose fight against the sexual violence done to
her led to the Vishakha Guidelines and a law against sexual
harassment at workplace. So the notion that only urban women can
“take” the movement to the unorganised and rural sectors is also
flawed, though urban, digitally educated women can certainly work to
spread it. Raya Sarkar, a bahujan feminist who started the movement
online in 2017 says in a Livemint
interview to Rituparna Chatterjee (who has been one of those at the
forefront of the 2018 campaign), published on 15 October 2018, “A
lot more can be done because dalit, adivasi and bahujan women’s
voices are missing from the discourse right now . . . It should
include the voices of trans women, homosexual men and women and
non-binary folks.” But what the movement has done despite its
limitations is to remind women themselves of the power of solidarity,
of the responsibility each woman has of keeping it open and
inclusive, working together to reclaim the online space as well as
the public domain and ensuring more women have safe access to these
spaces.
Where
do women stand as social media users?
Women
on social media were first targeted by companies as mere consumers.
The Internet is rife with video advertisements celebrating gender
equality, though on television this is still making slow progress.
But as women started being attacked for being political and not just
personal beings online, they demanded better regulations from
platforms and a zero-tolerance approach to threats and hate speech.
The end result is far from being achieved in entirety but the
pressure forced platforms like Twitter and Facebook to take into
account online sexual harassment done through their platforms. These
groups have since come up with tools to provide a safer environment
for women online and collaborated with women’s rights groups to
work better in this direction. At the same time, there is sometimes
great disparity in how these platforms take action: a person’s
account gets suspended for their political opinions while another
openly abusive person continues to retain their account. These
practices would need to be remedied even if companies have no
interests other than business ones are heart, and it might encourage
more women, therefore more “consumers”, to start using these
platforms.
There
are groups studying the intersection of gender and technology,
fighting for a safer and more equal space for women online,
organising trainings for women on digital security and on dealing
with trolling and cybercrimes. Tactical Tech Collective’s XYZ
platform, Internet Democracy Project, Feminism in India, Access Now,
Digital Empowerment Foundation are some of the various groups
involved in doing and supporting similar work.
One
way social media has offered a safe haven to women is by connecting
them to support groups that they do not always find in their physical
lives: there exist groups for domestic violence survivors to single
mother groups. These are safe spaces for the women to share their
experiences, seek out advice and be connected to experts, legal and
health professionals as required.
“The
meek shall inherit the earth”
What happens on social media does not necessarily remain on social
media. The multiple accusations against ex-Union minister MJ Akbar
have now turned into a defamation suit against one of the accusers,
journalist Priya Ramani. When this made news, women on social media
started pledging all sorts of support to Ramani. There were several
who wanted to help with the legal expenses; others kept reassuring
that all of them would back Ramani’s fight in whatever way
possible. Most of these people were unknown to the journalist
herself. Amidst everyday articles about social media leading to
loneliness, there were hordes of women assuring each other of
solidarity and support.
I
was recently sitting in a room with other writers and poets, all men,
when a poet was asked to recite something in particular. The poet
refused, looked at me and said he would rather avoid it in this
/#metoo phase. I quietly corrected him to say that it is not a phase,
it is here to stay.
Twenty-years
after her demonisation, in the US Monica Lewinsky is finally
appearing in a docuseries (made by a team with women in majority) on
The Clinton Affair. In
a piece by her in Vanity Fair titled
“Who Gets to Live in Victimville?” (13 November 2018), Lewinsky
writes, “Bye-bye, Lewinsky scandal . . . I think 20 years is enough
time to carry that mantle.” She remembers that when Clinton got
quizzed about why he had had this inappropriate relationship, his
answer was “Because I could”. Responding to questions about why
Lewinsky would go through the trauma of participating in the series
that demanded digging up of painful memories and unsavoury news
articles, she states she participated because “I [she]
could”, to ensure that what happened to her “never happens to
another young person in our [her] country again”.
Herein
also lies the reason why it has not been easy to dismiss the Indian
#metoo movement as a social media “fad” or “trend”, though
many used these frivolous terms to denigrate the movement. It is
because women are speaking up not just for themselves but for those
who fought before them and for the ones to come after. Statement
after statement by survivors echoes this thought . . . that they are
doing this for others who suffered and took the risk of speaking up,
or so their sisters and daughters and any other woman does not end up
believing that silence is their only recourse. These are women who
have often and repeatedly been failed by due processes instituted by
official committees and laws. In fact, their voicing themselves on
social media has exposed the inefficacy of many of these systems and
organisations and also shown that power does not lie in the hands of
a few people at the heads of committees and institutions. Women have
used social media to create spaces and platforms that had been
consistently and unapologetically denied to them, and those who
robbed women of these rights would now have to contend with their
complicity. Those who have been holding their breath for the movement
to “fizzle out” should instead take a deep breath and prepare for
the long haul. The day of reckoning that they thought would never
come is finally here.